Canadian Aboriginal Syllabics, Mayan glyphs, Egyptian hieroglyphs, Hangul
The English language presents a unique challenge for creating a syllabicwriting system due to its vast array of over 10,000 distinct syllables. D16 Syllabics approaches this task by employing a set of techniques influenced by various writing systems worldwide: rotating shapes inspired by Canadian Aboriginal Syllabics; pictographicsymbols echoing Mayan glyphs and Egyptian hieroglyphs; and stacked syllable blocks and schematic phoneticsymbols reminiscent of Korean Hangul. The name “D16” derives from the dihedral group of order 16, a mathematical concept that governs how a symbol’s orientation affects its pronunciation. Rather than aiming for a complete and optimized representation of English phonetics, D16 embraces ambiguity that can be resolved through context. It allows for multiple ways of writing a syllable and even encourages the creation of new symbols. This system prioritizes expressiveness and artistic freedom, representing the spirit of the ancient writing systems that inspired its development.
Watch the video for the artist’s explanation of how D16 Syllabics work.